The three hundred years of Tang Poetry are explained by the venerable Old Man Huang Tianji

2022-07-11 0 By

Tang poetry is not only the peak of Chinese classical literature, but also the treasure of Chinese civilization.There are many people who speak tang poetry, but few who speak depth and characteristics, and even fewer who can understand an era through Tang poetry.Huang Tianji, a professor at Sun Yat-sen University and the venerable old man, has recently published three Hundred Years of Tang Poetry — Poets and Their Poetry Creation, a new book on classical poetry, following “The Origin of Poetry creation” and “Ten Lectures on Poetry and Songs.”Huang Tianji, a famous expert on classical literature, was born in Guangzhou in 1935.Professor of The Department of Chinese Literature, Sun Yat-sen University, president of the Society of Ancient Chinese Opera, member of the Planning Group for the Compilation and Publication of National Ancient Books, director of the Department of Chinese Literature, Sun Yat-sen University, executive vice president of graduate School, member of the second Academic Degrees Committee of The State Council subject evaluation Group.Professor Huang Tianji is a national famous teacher who has many students all over the world.He has published 15 volumes of Huang Tianji Anthology and Lingnan Teachers and Friends.Professor Huang Tianji, who has been studying classical literature for more than half a century, offers a lively and thought-provoking review of Tang poetry in his new book 300 Years of Tang Poetry: Poets and Their Poetry.For example, Huang teacher poetry, than for photography skills, “shu Qi huang Bird, clear light to green apple” is a close-up, “clouds out of haishu, Meiliu river spring” is a panorama;Compared to the film lens, “the moon falls, the crow frost is all over the sky” is a montage, “the lonely light cold rain, deep bamboo dark floating smoke” is an empty lens;Compared to music, “jiangtian color without dust, bright sky solitary moon wheel” is “through the door”, “the box in the golden knife blood is not dry” is a rest, “qingchuan through the Hanyang tree, luxuriant grass parrot continent” is a shift;Than for opera, “such as” Bao Gong anger zha Chen Shimei “opening momentum,” independent Yang New order, thousands of camps a call “such as” single knife will “martial arts program.All kinds of art, by analogy;All the parables are fitting.As Ge Zhaoguang, a senior professor of liberal arts at Fudan University, said:”Middle tang poetry is rich in history, history is often borrow the poetry, classical Chinese literature experts Mr 黄天骥 with his profound literature foundation of basic skills, plus he read all the vicissitudes of life experience, to make an explanation of the tang poetry, and history, literature and experience here, and tang poetry is therefore to present a different look.””Three Hundred Years of Tang Poetry — Poets and Their Poetry Creation” is not only a treatise on the creation of Tang poetry, but also a brief history of tang people’s mind and a side note on the ups and downs of the Tang Dynasty.The book deals with the techniques of creation, the secrets of poetry, the fate of poets, the ups and downs of times.Read this book, can read tang poetry, love to read Tang poetry, more understand how to write poetry.Since its publication, the book has aroused much attention in domestic literary circles, and many historians of Chinese literature have written and commented on it.”Mr. Huang Tianji wrote poetry and drama, and wrote Hongfu.At present, there is another ‘300 Years of Tang Poetry’ published, let a person delighted.”Beijing university Chinese department professor, central literature and history of yixin thinks that Mr 黄天骥 is “more into the northern article old”, an octogenarian read tang poetry, to write down the words is more than half a century of grinding work – from the poet to express to speech writing, from the word allusions to the moral, and sorts out take centuries, each exam training, is a detailed kung fu.Readers can follow Mr. Humorous interpretation, restore the mood and scenery of those three hundred years.Read: Sun Shijian